Abstract
This article examines some of the ethical issues involved in working creatively with sound. Issues considered include: sound ownership; sound vs. vision as determinations of identity, and their relative iconicity; recorded sound; sound as physical phenomenon vs. sound as symbol; issues of copyright and trademark; community ownership; awareness, sensitivity and responsibility; composer responsibility vs. listener responsibility; the relative importance of contextualisation; and intercultural dialogue. We will conclude with a critique of the cultural and ethical shortcomings of the article itself, and a call for social, cultural and ethical engagement in creative sound work.
Publisher
Cambridge University Press (CUP)
Subject
Computer Science Applications,Music
Cited by
5 articles.
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