1. THE CONCEPT OF AUTHENTIC PERFORMANCE
2. Wimsatt, W. K., ‘Genesis: a Fallacy Revisited’, On Literary Intention, ed. David Newton-de Molina (Edinburgh, 1976), pp. 116–38
3. Stamp, Gavin, ‘The Art of Keeping one Jump Ahead: Conservation Societies in the Twentieth Century’, Preserving the Past: The Rise of Heritage in Modern Britain, ed. Michael Hunter (Stroud, 1996), pp. 77–98
4. Newcomb, Anthony, ‘Unnotated Accidentals in the Music of the Post-Josquin Generation: Mainly on the Example of Gombert's First Book of Motets for Four Voices’, Music in Renaissance Cities and Courts: Studies in Honor of Lewis Lockwood, ed. Jessie Ann Owens and Anthony M. Cummings (Michigan, 1997), pp. 215–25
5. Strohm, Reinhard, The Rise of European Music 1380–1500 (Cambridge, 1993)