The determining role of performance in the articulation of meaning: the case of ‘Try a Little Tenderness’

Author:

Bowman Rob

Publisher

Cambridge University Press

Reference375 articles.

1. Thornton, S. 1995: Club Cultures: Music, Media and Subcultures (Cambridge: Polity)

2. Tagg, P. 1992: ‘Towards a Sign Typology of Music’, in Dalmonte and Baroni (1992), pp. 369–78

3. Tagg, P. 1998b: Interview by Prof. Martha Ulhôa at Pontllyfni, Wales on 11 April, unpublished, available at Tagg's website: www.liv.ac.uk/IPM/tagg/tagghmpg.htm

4. Tagg, P. 1998a: ‘Tritonal Crime and “Music as Music”’, in S. Miceli, L. Gallenga and L. Kokkaliari (eds.), Norme con Ironie: scritti per Ⅰ settant’ anni di Ennio Morricone (Milan: Suvini Zerboni), pp. 273–312

5. ‘Rhythm, Rhyme and Rhetoric in the Music of Public Enemy’;Ethnomusicology,1995

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