Abstract
AbstractThis article uses large-scale bibliographic data to extract and analyse the works, authors, and publishers of the Scottish Enlightenment. By doing so, we aim to encompass a wider scope and definition of Scottish Enlightenment publishing, contextualizing both the major and the lesser-known publishers. We reveal two competing models for key Scottish publishers: those working in Scotland, publishing works that were printed later in London; and those working in London, printing Scottish works. We show that the careers of key publishers such as Andrew Millar (1705–68) should be considered in relational terms: that Millar must be understood in the context of his wider network, taking into account a longer view of the publishing landscape both before and after his career. Moreover, we establish the relevance of subsequent editions of existing works for the understanding of eighteenth-century publishing. The article also argues for an agnostic view of the ‘Scottish Enlightenment text’, one which considers the features of individual texts rather than a priori assumptions about canonical works. Consequently, we show that the significance of works of scientific improvement evolves and becomes intertwined with education, literature, philosophy, and history over time; resulting in a convergence of practice, theory, and literary expression.
Publisher
Cambridge University Press (CUP)
Reference46 articles.
1. Provincial printing in eighteenth-century Britain;Mitchell;Publishing History,1987
2. Richard Sher;Emerson;Eighteenth-Century Life,2009
3. Cult: the case of Mary-Catherine Cadière;Airey;Studies in Eighteenth-Century Culture,2019
4. The genius and the copyright: economic and legal conditions of the emergence of the “author”;Woodmansee;Eighteenth-Century Studies,1984
Cited by
1 articles.
订阅此论文施引文献
订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献