Ginger Smock: Narratives of Perpetual Discovery, Jazz Historiography, and the “Swinging Lady of the Violin”

Abstract

AbstractGinger Smock (1920–95), an African American jazz and classical violinist, was a popular Los Angeles entertainer and one of the first African American women bandleaders on television. This article traces her career from Los Angeles’ Central Avenue to Las Vegas showroom orchestras, drawing on archival materials from the Smithsonian National Museum of African American History and Culture. Through a close reading of a 1951DownBeatprofile of Smock, I interrogate racialized constructions of gender in that magazine and frame mid-century jazz reporting on women instrumentalists via a “narrative of perpetual discovery” that positions these women as waiting for a career break that never comes. As an antidote to the effacement implicit in such narratives, I propose close documentation of sustained artistic practice: That is, the day-to-day facts of a working musician's life. This article reads Smock's professional trajectory through an intersectional lens to offer a critical perspective on the ways in which social identities, especially race and gender, may shape both musical careers and our historicization of those careers.