Senegalese Wrestling between Nostalgia and Neoliberalism

Abstract

AbstractThis article examines the cultural ambiguity of Senegalese wrestling. Certain discourses around this sport have constructed it as a nostalgic embodiment of traditional, national, or African values. At the same time, other discourses emphasize the sport’s commercialization, its embeddedness in the economics of precarity, and even its inventedness as a tradition. The case of Senegalese wrestling illustrates how traditionality is summoned and put to question in a context of socioeconomic fragmentation. Repinecz offers readings of Aminata Sow Fall’s novel L’Appel des arènes (1982), Cheikh Ndiaye’s film adaptation of the same name (2005), and Boubacar Boris Diop’s novel Doomi Golo (2003 and 2009) to illustrate this analysis.