Abstract
AbstractIn theCritique of Pure Reason, Kant describes schematism as a ‘hidden art in the depths of the human soul’ (A141/B180–1). While most commentators treat this as Kant's metaphorical way of saying schematism is something too obscure to explain, I argue that we should follow up Kant's clue and treat schematism literally asKunst. By letting our interpretation of schematism be guided by Kant's theoretically exact ways of using the termKunstin theCritique of Judgmentwe gain valuable insight into the nature of schematism, as well as its connection to Kant's concerns in the thirdCritique.
Publisher
Cambridge University Press (CUP)
Cited by
50 articles.
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