Abstract
The Menexenus is also known as Plato's Epitaphios or Funeral Oration. The body of the work is a fictional funeral oration, composed as an example of what should be said at a public funeral for Athenians who have fallen in war. The oration is framed by an encounter between Socrates and a certain Menexenus, an eager young man who thinks he has reached the end of education and philosophy, but who is still rather young to take an active party in the city's affairs. Nevertheless, he is anxious to follow in the tradition of his family, which (Socrates tells us) has always provided someone to look after the Athenians (τινα μν πιμελητν). Menexenus' interest in public affairs has led him to attend a meeting of the Council at which a speaker was to be chosen to compose and deliver the funeral oration at the imminent public funeral. However, no final decision was reached at the meeting, and Menexenus remarks that by the time the choice is made, the speaker will have almost to improvise his speech. Socrates gently mocks Menexenus' respect for public orators, saying that speeches about a dead person follow a predictable pattern; a speaker exaggerates all a dead person's good points and minimizes all the bad, so that one who has died appears a paragon of virtue even if he was not really good for much. Socrates claims that listening to such public orations, when not only individuals but also the state is eulogized, always makes him feel that in living in Athens he is living in the Islands of the Blessed.
Publisher
Cambridge University Press (CUP)
Subject
Literature and Literary Theory,Philosophy,History,Classics
Cited by
9 articles.
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2. Foreword;Xenophon’s Peloponnesian War;2019-09-23
3. Xenophon’s Peloponnesian War;TRENDS CLASS SUPPL V;2019-09-21
4. Learning from the Gods: Episteme and Politics in Plato’s Menexenus;Thinking, Knowing, Acting: Epistemology and Ethics in Plato and Ancient Platonism;2019-04-03
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