Abstract
AbstractHistorically subaltern groups envisage new possibilities for the creation of community museums and exhibits. This seems to be particularly true of the Global South and, even more so, of Sub-Saharan Africa and the African diaspora to Southern America – two regions of the world where, when it concerns ethno-racial minorities and social movements, presential museums and “actual” archives have more often than not been poorly funded, ill-equipped, and underscored. This article teases out the process of creating such a digital museum that focuses on African and Afro-Brazilian heritage. It is a technological and political experiment that is being developed in a country experiencing a process of rediscovery and of the patrimonialization of a set of elements of popular culture, within which “Africa” as a trope has moved from being generally considered a historical onus to (Western-oriented) progress to become a bonus for a country that is discovering itself both multiculturally and as part of the powerful group of BRIC nations (Brazil/Russia/India/China).
Publisher
Cambridge University Press (CUP)