Abstract
This article explores the representation of alcohol on East German television, radio and film in the 1960s and 1970s. It analyses the state media's attempts to strike a balance between preaching moderation in the name of public health and co-opting the cultural legacy of beer, particularly for working-class men. The attempt to accomplish both goals simultaneously resulted in a seemingly contradictory programme of public messaging that reveals efforts by the socialist leadership to calibrate their vision of a modern socialist future to accommodate the persistent power of a cultural commodity in Germany.
Publisher
Cambridge University Press (CUP)