Abstract
This text draws attention to former ideologies of the scientific hero in order to explore the leading features of Charles Darwin's fame, both during his lifetime and beyond. Emphasis is laid on the material record of celebrity, including popular mementoes, statues and visual images. Darwin's funeral in Westminster Abbey and the main commemorations and centenary celebrations, as well as the opening of Down House as a museum in 1929, are discussed and the changing agendas behind each event outlined. It is proposed that common-place assumptions about Darwin's commitment to evidence, his impartiality and hard work contributed substantially to his rise to celebrity in the emerging domain of professional science in Britain.
Publisher
Cambridge University Press (CUP)
Subject
History and Philosophy of Science,History
Cited by
26 articles.
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