Of Foreign Affairs and Foreign Correspondents

Abstract

If the owl of Minerva flies only at dusk, what are we to make of the recent flurry of popular histories about foreign correspondents? In 2021, with You Don't Belong Here, Elizabeth Becker told us “How Three Women Rewrote the Story of War” in Vietnam, and Judith Mackrell gave us the stories of “Six Women Writers on the Front Lines of World War II” in The Correspondents.1 The year before, Nancy Cott, the pioneering scholar of U.S. gender history, explored the intertwined biographies of interwar journalists Dorothy Thompson, Vincent Sheean, Rayna Raphaelson, and John Gunther in Fighting Words.2 And then, in 2022, Deborah Cohen, an acclaimed historian of British and European cultural politics, subbed the relatively obscure Raphaelson out of Cott's quartet and added in H. R. Knickerbocker, the Pulitzer Prize–winning European correspondent in Last Call at the Hotel Imperial.3 (Cohen also elevates the role of Frances Gunther, John's wife, who suffered from crippling writer's block but was perhaps the most interesting thinker of the bunch.) When two leading, accomplished historians at the height of their games write essentially the same book, you know that something is in the air. So what era's eclipse are these works marking?