Abstract
AbstractMohamed Mbougar Sarr’s 2018 novel De purs hommes fictionalizes recent incidents of homophobia in Senegal to interrogate the relationship between queer men and social dynamics in the country. This article demonstrates that the novel deploys multidirectional critical discourse and oblique narrative tactics to highlight the foundational role in Senegalese culture and society of the fraught dichotomy between private and public life. Bryson contends that the novel unearths these queer roots in order to incorporate all normative identities into queer existence, conceptually blurring the social barriers to LGBTQ+ agency in the country.
Publisher
Cambridge University Press (CUP)
Subject
Anthropology,Cultural Studies
Cited by
2 articles.
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