Abstract
AbstractIn 2022, Prime Minister of Portugal António Costa of the Socialist Party held a celebration of Brazilian music at his residence in Lisbon for the Bicentennial of Brazilian Independence a month before the presidential elections between Bolsonaro and Lula. In contrast to Bolsonaro’s right-wing rallies, Costa featured acts that were feminist, antiracist, and leftist. In this diplomatic event, musical performances criticised Bolsonaro’s Brazil and supported Lula’s campaign, imaginatively aspiring for an alternative Brazil despite the organizers’ directive not to protest. I show how the performers strategically and affectively advanced a comprehensible political critique in this crucial moment of Brazilian political history.
Funder
Fundação para a Ciência e a Tecnologia
Publisher
Cambridge University Press (CUP)
Cited by
1 articles.
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