Abstract
‘The vases of the classical period are but the reflection of classical beauty; the vases of the archaic period are archaic beauty itself.’ So Beazley; an indisputable and valuable truth, but a truth that needs some explanation. In spite of all the detailed work that has been done in the last fifty years and more on the development of Greek vase-painting and its relation to other arts, its nature still remains something of a problem. The issue is confused, of course, by the fact that vase-paintings are almost our only original Greek drawings—almost the only key-hole through which we can peep at archaic and classical painting—and this gives them an importance independent of their intrinsic worth.
Publisher
Cambridge University Press (CUP)
Subject
Archeology,Visual Arts and Performing Arts,History,Archeology,Classics
Cited by
2 articles.
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