Constructing the popular from public funding of community music: notes from Australia

Abstract

Those things that go under community music and people who call themselves community music practitioners and organisations, have got to remember all the community music that is happening anyway. But at this point in time I think that it is incredibly important to develop community music activities, to fuel the fire and create examples of what the possibilities are. The real community music will happen when that is generating spontaneously out of community. (Linsey Pollak, 28 January 1993)