BRITISH COMTISM AND MODERNIST DESIGN

Abstract

Scholars of political thought, sociology, and the arts have yet to fully explore the impact of positivism on modernist design theory and practice. This paper offers an intellectual history of the works of three generations of positivist sociologists who built on each other's works. They are Auguste Comte and Richard Congreve, Frederic Harrison and Charles Booth, and Patrick Geddes and Victor Branford. These actors developed different types of sociological survey, established a network of urban interventions, and proposed a series of planning programs and manifestos. It will be argued that their intention was to systematically reconcile international and domestic issues to realize a modern eutopia. Following this analysis, it will be shown that a similar language and practice appeared in the work of a diverse range of such modernist designers as Patrick Abercrombie, Sybella Gurney Branford, Louis Sullivan, H. P. Berlage, and Le Corbusier, among others.