Abstract
AbstractThe article explores the extent and nature of the relationship between Darwinian science and the British Empire. It does so by unpicking Darwin's British Indian examples of avian combat in constructing his ‘law of battle’. The article shows how Darwin's interpretation of these reports was simultaneously enabled, shaped and limited by the imperial context within which the reports were generated. Particularly important was Darwin's inability to see the enormous investment of human labour and complex knowledge in sculpting and curating these avian fights through a culture of shauq. Partly this oversight followed from the South Asian birds having already been saturated by Romantic poetic associations, even before Darwin began considering them. Somewhat surprisingly, I note, Clifford Geertz shared Darwin's blindness towards the ‘cultural’ sculpting of ‘nature’ during avian combat.
Publisher
Cambridge University Press (CUP)