South African Afrophobia in local and continental contexts

Abstract

South Africa is the intellectual epicentre of the ideology of African renaissance and of the growing scholarly attention to decoloniality as an epistemological and aesthetic agenda of decolonisation. Paradoxically, the country is also a xenophobic crime scene: the continental state associated with endemic Afrophobic violence. This is a contradiction with both contemporary and historical significance. Positing this framing of a contradictory impulse should come with a caveat: Black South African intellectual investments in pan-Africanist projects were part of a broader cosmopolitan imaginary necessitated by South African colonial history and were thus partly projects of necessity. The origins of this politics of self-fashioning were not exclusively pan-Africanist.