Abstract
Abstract
This article examines the linked sets of paintings commonly known as the “small Guler” Rāmāyaṇa by Paṇḍit Seu, the “Mankot” Rāmāyaṇa and the “Siege of Laṅkā” by Mānaku in the light of the text from the Vālmīki Rāmayaṇa on the versos of the paintings. This allows significant conclusions about the intentions behind their production and the original extent of each set.
Publisher
Cambridge University Press (CUP)
Subject
General Arts and Humanities,Cultural Studies
Cited by
3 articles.
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1. Some Illustrated Valmiki Ramayana Manuscripts;Religions of South Asia;2022-12-24
2. Guest Editorial;Religions of South Asia;2022-12-24
3. Verbal and Visual Texts of the Rāma Narrative;Cracow Indological Studies;2022-12-19