The Pontydian Performance: the performative layer

Author:

Schroeder Franziska,Rebelo Pedro

Abstract

In this paper we reflect on the performer–instrument relationship by turning towards the thinking practices of the French philosopher Maurice Merleau-Ponty (1908–1961). Merleau-Ponty’s phenomenological idea of the body as being at the centre of the world highlights an embodied position in the world and bestows significance onto the body as a whole, onto the body as a lived body. In order to better understand this two-way relationship of instrument and performer, we introduce the notion of the performative layer, which emerges through strategies for dealing with discontinuities, breakdowns and the unexpected in network performance.

Publisher

Cambridge University Press (CUP)

Subject

Computer Science Applications,Music

Reference33 articles.

1. Reynolds J . 2005. Maurice Merleau-Ponty. The Internet Encyclopedia of Philosophy. Available: http://www.iep.utm.edu/m/merleau.htm (accessed January 2009).

2. The Touching of the Touch – Performance as Itching and Scratching a Quasi-Incestuous Object;Schroeder;Extensions: The Online Journal for Embodied Technology,2005

3. Chafe C. , Gurevich M. , Leslie G. Tyan S . 2004. Effect of Time Delay on Ensemble Accuracy. Proceedings of the International Symposium on Musical Acoustics, 31 March to 3 April 2004 (ISMA2004), Nara, Japan. Available: http://ccrma.stanford.edu/~cc (accessed January 2009).

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