A Space for Making: Collaborative composition as social participation

Author:

Hart Adam,Williams Alan

Abstract

Music composition is traditionally regarded as an act of individual creation and expression, but can be approached, through the aid of digital platforms, as an activity that encourages learning through social participation. This article describes the development of a tablet-based app, Paynter, intended as a digital graphic interface for group collaborative composition and its experimental use in a primary school in Salford, UK, alongside musicians from the BBC Philharmonic orchestra. The app created a framework for a negotiated language of symbols used by two groups of students at Key Stage 1 and Key Stage 2 to tell stories through sound and music. Its functionality enabled compositional thinking to emerge collectively from groups with relatively little exposure to the idea of composing and little knowledge of traditional notational or digital sequencing technologies. The research is grounded in a theoretical context of constructivist approaches to education.

Publisher

Cambridge University Press (CUP)

Subject

Computer Science Applications,Music

Reference40 articles.

1. Department for Education (DfE). 2013. Music Programmes of Study: Key Stages 1 and 2. National Curriculum in England. www.gov.uk/government/publications/national-curriculum-in-england-music-programmes-of-study (accessed 7 September 2020).

2. Espeland, M. 2007. Compositional Process as Discourse and Interaction: A Study of Small Group Music Composition Processes in a School Context. Doctoral dissertation, Danish University of Education, Copenhagen.

3. Gadd, A. and Fels, S. 2002. MetaMuse: Metaphors for Expressive Instruments. Proceedings of the 2002 Conference on New Interfaces for Musical Expression, National University of Singapore.

4. Hyperscore: a graphical sketchpad for novice composers

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