Abstract
This article proposes a framework as a contribution to the expansion of compositional practice. It analyses and problematises different dimensions of architectural thinking and practice, and transposes them to the field of music. This way it suggests and develops compositional strategies that are more deeply engaged with the several spatialities of music creation, performance and listening.Material,site,drawing,programmeanduseoperate as conceptual tools to articulate music and architecture in a discussion towards a more comprehensive understanding of music composition. This was the theoretical ground of a practice-based PhD research in which I developed a portfolio of works. I will describe some of these to contextualise and demonstrate the contemporary relevance of this framework.
Publisher
Cambridge University Press (CUP)
Subject
Computer Science Applications,Music
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