Blood, obsidian, and the Teotihuacan cult of the mirror

Abstract

Abstract Drawing upon iconological theory, this article argues that mirrors and blood were regarded as a conceptually linked pair within the imperial ideology of Teotihuacan, Mexico from the second century onward. The relationship between blood and mirrors is shown to have codified with the construction of the Pyramid of the Feathered Serpent, Teotihuacan's third largest edifice. This monument's facade was adorned with hundreds of monumental sculptures of oracular mirrors, some number of which incorporated actual mirrors formed of obsidian. I demonstrate that the Teotihuacan mirror sign took obsidian, a form of black volcanic glass that was intensively worked in the city, as a key referent. This monument was also the site of a historically large human sacrifice of more than 200 individuals, an event argued here to have involved bloodletting with obsidian knives and blades. I note that Teotihuacan interest in the mirror icon increased in concert with the city's residents’ application of the reflective material of obsidian to warring and other blood-spilling behaviors. The mirror icon evoked both obsidian as a radiant material, as well as obsidian's potential for application to forceful martial actions. The article concludes that this icon in part signified imperial force, which was made real through the weaponization of the smoking glass.