Abstract
AbstractThis study explores the identification and gender attribution of the “Great Goddess” of Teotihuacan through re-examining what purportedly constitutes feminine and masculine in these representations. Recent efforts to reattribute this deity's gender have not offered satisfactory re-interpretations, but instead reify a binary model of Western ideas of gender. Transcending this binary model, I propose that one of the key figures identified as female—the central figure from the Tepantitla mural at Teotihuacan—can better be said to show characteristics of a mixed gender, a tradition for which there is significant precedence in the Americas.
Publisher
Cambridge University Press (CUP)
Subject
Arts and Humanities (miscellaneous),Geography, Planning and Development
Cited by
3 articles.
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