Abstract
Performers in the second half of this century face an intensified confontation with physical expression in theatre. The question of how, or even whether, movement can express the ‘inner life’ of an actor/character is always present in the work of groups or individuals who wish to design innovative and physicalized performances.
Publisher
Cambridge University Press (CUP)
Subject
Literature and Literary Theory,Visual Arts and Performing Arts
Cited by
3 articles.
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