Abstract
This overview of theatre research in the Nordic countries presents some characteristic features that can be traced in recent scholarly publications. After explaining what ‘Nordic’ means in this context, the first section describes the marks that the general theoretical development in the field has made among notable Nordic scholars, especially in research on contemporary performances. ‘Artistic research’ is the Scandinavian equivalent to ‘practice as research’ and this branch of research has recently advanced very quickly and along various organizational lines. The writing of theatre history, especially on the controversial issues of the 1930s and 1940s, are investigated in the next section. Finally, the establishment of national theatre histories has proved to be highly political, especially in Sweden, where three histories of Swedish theatre have been published in four years. In conclusion, the author expresses his optimistic view of the future of theatre studies in the Nordic countries.
Publisher
Cambridge University Press (CUP)
Subject
Literature and Literary Theory,Visual Arts and Performing Arts
Reference36 articles.
1. Forms of Presence: In Defence of a Constructivist Approach to Performativity;Lehmann;Nordic Theatre Studies,2007
Cited by
3 articles.
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