Picturing an industrial city: green and modern? Postcards from Chemnitz and Lodz (1880s–1980s)

Abstract

Abstract A pictorial postcard condenses a cityscape into one iconic image, which claims to summarize the place, usually in a highly aestheticized version. If that is the case, how does one present an industrial city: with factories and worker housing or rather with churches and the palaces of industrial tycoons? Using four digitalized collections (over 700 postcards) this article analyses images of industrialized cities from the late nineteenth century until the end of the Cold War. The main argument is that this idealized depiction does not focus on industry, but rather taps into the imagination of the European city.