Why Are Heritage Interpreters Voiceless at the Trowel's Edge? A Plea for Rewriting the Archaeological Workflow

Author:

Perry Sara

Abstract

ABSTRACT“Heritage interpretation” is generally conceived as the development and presentation of knowledge about the past for public audiences. Most obviously evidenced in descriptive signs, guides, and related media installed on archaeological and cultural sites, heritage interpretation has more than a half century of theory and applied practice behind it, yet it continues to sit uncomfortably within the typical archaeological workflow. While the concept can be criticized on many fronts, of concern is the lack of recognition that it is of equal relevance tobothnonexpert and expert audiences (as opposed to nonexpert audiences alone). Our profession appears to rest on an assumption that archaeologists do their own kind of interpretation—and, separately, nonexperts require a special approach that heritage interpreters must facilitate but that field specialists have no need for—or from which little obvious expert benefit can be derived. For this reason, it is rare to find heritage interpreters embedded in primary fieldwork teams. Here I call for a rethinking of the traditional workflow, with a view to integrating the heritage interpretation tool kit and heritage interpreters themselves into our basic field methodologies. Their direct involvement in disciplinary process from the outset has the potential to transform archaeological interpretation overall.

Publisher

Cambridge University Press (CUP)

Subject

Archaeology,Archaeology

Reference85 articles.

1. Watterson Alice Elizabeth 2014 Engaging with the Visual: Re-Thinking Interpretive Archaeological Visualisation. PhD dissertation, Glasgow School of Art, Glasgow, UK.

2. Thomas Antonia , Daniel Lee , Carolyn White , and Ursula Frederick 2015 Creative Archaeologies: Emerging Theory and Practice from Art/Archaeology Interactions. Electronic document, https://pure.uhi.ac.uk/portal/en/activities/european-association-of-archaeologists-conference(d16c49c8-e191-4efa-8e91-10d1565da5ab).html, accessed November 26, 2017.

3. Beyond Art/Archaeology

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