Abstract
This article maps the presentation of nuclear power as valuable cultural heritage in Soviet and post-Soviet Russia. Drawing on the analysis of archival documents, exhibitions, site visits and interviews, it argues that the nuclear cultural heritage-making that is taking place in Russia is not limited to self-promotion by the nuclear industry but is shaped by different professional and societal groups seeking to define their identity and gain recognition in the public sphere. The selected case studies, the Polytechnical Museum (Politekh) in Moscow and Rosatom's recent attempts to institutionalize nuclear cultural heritage, add new empirical material to the existing studies of Soviet and post-Soviet nuclear culture and offer new insights into its character.
Funder
Riksbankens Jubileumsfond
Arts and Humanities Research Council
Publisher
Cambridge University Press (CUP)
Subject
Arts and Humanities (miscellaneous),Cultural Studies
Cited by
3 articles.
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