Abstract
We perceive loss by tracing the contours of what we invent in its place. When a work of art invites spectators to engage with it, it offers them an opportunity to process loss. Such artworks can be theatrical, visual, or architectural—like a public memorial; what unites them is the experience of the spectator. Individual and personal experiences of grief connect with the social expressions of large-scale loss when the one shows up, fractal-like, in the details of the other.
Publisher
Cambridge University Press (CUP)
Subject
Literature and Literary Theory,Visual Arts and Performing Arts