Abstract
In her solo performance, Knot in My Name, Ita Segev utilizes transaesthetic strategies and technology to elucidate her mutually dependent investments in gender and nation and the urgent personal and political stakes of the ongoing Israeli occupation for the performer and her American audience alike.
Publisher
Cambridge University Press (CUP)
Subject
Literature and Literary Theory,Visual Arts and Performing Arts
Reference8 articles.
1. Diva Interventions: Dana International and Israeli Gender Culture
2. Transmedia
3. Cárdenas, Micha . 2010. “Becoming Dragon: A Transversal Technology Study.” CTheory, 29 April. Accessed 6 July 2020. journals.uvic.ca/index.php/ctheory/article/view/14680.