Abstract
Rimini Protokoll’s Do’s and Don’ts (2018) takes spectators on tours through cities in a disused truck to observe contemporary urban life. Commentary from nonprofessional (yet “expert”) performers and video interludes dissect and challenge the rules and norms of the 21st-century metropolis. Lucinda Childs’s 1964 Street Dance frames and historically contextualizes the discussion of performance “in” and “of” the city.
Publisher
Cambridge University Press (CUP)
Subject
Literature and Literary Theory,Visual Arts and Performing Arts
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