Abstract
AbstractIn order to reappraise discourses on the restitution vs. retention of Africa’s cultural heritage, Eyssette examines the Musée du Quai Branly (France), the AfricaMuseum (Belgium), the British Museum (UK), and the Humboldt Forum (Germany) as one representative spectrum for analysis showing the mutual imbrications of their changing strategies and practices. After detecting biases in retentionist arguments on security, accessibility, law, and ethics, Eyssette stresses symmetrical shortcomings in restitutionist discourses on provenance research and the instrumentalization of heritage for economic gains or post-colonial rebranding. The conclusion determines whether these four institutions are retentionists, rhetorical restitutionists, or truly reformed restitutionists.
Publisher
Cambridge University Press (CUP)
Subject
Anthropology,Cultural Studies
Reference87 articles.
1. British Museum. 2021. 1933-1945 Provenance. Accessed on October 15, 2022. https://www.britishmuseum.org
2. Restitution and beyond in contemporary museum work: Re-imagining a paradigm of knowledge production and partnership
3. Adesina, Akinwumi . 2021. “After Merkel’s exit, Germany must remain committed to Africa.” Accessed on October 15, 2022. https://www.afdb.org
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