Abstract
On the Fourth of July, 1860, the New York Times introduced readers to a new persona treading the minstrel boards:
Matinées are the order of the day, two at both the Bowerys, at George Christy's, at Bryant's, and at the Palace Gardens. Here “versatile performers” and “talented danseuses” will diversify the hours of patriotic emotion with comic pantomime and grand “Japanese ballets,” led by “Little Tommy.” Japan has dropped a little into the sere and yellow leaf, perhaps, for the natives, but for the “strangers from the provinces” the land of blacking may still have charms, and we desire that “all such” may understand that the Japan of their dreams will be on exhibition to-night at Miss Laura Keene's Theatre.
Publisher
Cambridge University Press (CUP)
Subject
Visual Arts and Performing Arts