Serious Fun at Sun City: Theatre for Incarcerated Women in the “New” South Africa

Author:

Biggs Lisa

Abstract

Women have been largely invisible in crime discourse in South Africa; they have never been conceived of as either the primary authors or objects of the law. Yet according to the Republic of South Africa Department of Correctional Services (DCS), they are one of the fastest-growing segments of the prison population today. In the eight years following democratic elections in 1994, DCS reports that the number of women behind bars grew by over 31 percent. From 2008 to 2012 alone, the women's prison population rose by 10 percent while the number of men behind bars declined. These increases are not fully attributable to an escalation in women's illicit behavior. Instead, shifts in policing and sentencing policies now mandate longer sentences for crimes for which women are most likely to be convicted—both aggressive and non-violent, often poverty-related, offenses such as theft (shoplifting, robbery, burglary, carjacking, fraud, embezzlement), narcotics (trafficking, sale, distribution), and sex work.

Publisher

Cambridge University Press (CUP)

Subject

Visual Arts and Performing Arts

Reference25 articles.

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3. ‘Now We Are Real Women’: Playing with Gender in a Male Prison Theatre Programme in South Africa;Sutherland;RiDE: The Journal of Applied Theatre and Performance,2013

4. Public Policy and the Punishment of Crime in a Divided Society: A Historical Perspective on the South African Penal System;van Zyl Smit;Crime and Social Justice,1984

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