Abstract
It may be that an element of contradiction is integral to any outstanding literary work. A major writer, in presenting one philosophical viewpoint or attitude directly, cannot help, by virtue of his sensitivity and breadth of awareness, but present the alternative angle indirectly. Nevertheless, although the narrative may shuttle ambiguously between two such poles, there should finally be no doubt as to which side of the argument the author inclines to. A limited degree of ambiguity makes for vitality. A total ambiguity makes for inferior art. If this criterion is acceptable the reputation of Melville's Billy Budd, Sailor may deserve revaluation. Critical opinion, which turns upon Melville's attitude towards Captain Vere, appears to have reached a stalemate, in spite of the recent publication of the Hayford-Sealts authoritative edition of the story which the editors hope ‘will narrow the ground of disagreement and widen that of understanding’. A division still exists between the ‘straight’ readers who see Vere as exonerated and the ironists who believe that Melville is subtly undercutting the validity of Vere's stand.
Publisher
Cambridge University Press (CUP)
Subject
General Social Sciences,General Arts and Humanities
Reference24 articles.
1. The Problem of Billy Budd;PMLA,1965
2. Melville's Thematics of Form (Baltimore, 1968), pp. 209–16
Cited by
1 articles.
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