Abstract
AbstractThe study of the recorded artefact from a musicological perspective continues to unfold through contemporary research. Whilst an understanding of the scientific elements of recorded sound is well documented, the exploration of the production and the artistic nature of this endeavour is still developing. This article explores phenomenological aspects of producing heavy metal music from the perspective of seven renowned producers working within the genre. Through a series of interviews and subsequent in-depth analysis, particular sonic qualities are identified as key within the production of this work: impact; energy; precision; and extremity. A conceptual framework is then put forward for understanding the production methodology of recorded heavy metal music, and how developing technology has influenced the production of the genre.
Publisher
Cambridge University Press (CUP)
Reference45 articles.
1. Agoraphobic Nosebleed, Agorapocalypse. Relapse, RR 7037. 2009
2. The Poetics of RockCutting Tracks, Making Records
Cited by
53 articles.
订阅此论文施引文献
订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献
1. Inhalt;Studien zur Popularmusik;2023-10-02
2. Frontmatter;Studien zur Popularmusik;2023-10-02
3. 9.7 Sekundärliteratur;Studien zur Popularmusik;2023-10-02
4. 9.6 Online- Dokumente;Studien zur Popularmusik;2023-10-02
5. 9.5 Filmografie;Studien zur Popularmusik;2023-10-02