Abstract
AbstractFrancis Bacon's New Atlantis is considered with a view to the problematic unity of its author's oeuvre. Beginning from the question of the genre or literary character of the work and proceeding through a consideration of the Platonic precedent announced in the title, an attempt is made to reconcile Bacon's rejection of the classical, utopian tradition of political thought with the apparently utopian character of the island of Bensalem. Such an interpretation suggests that the title announces a project shown to be possible, even necessary, in the course of the travel story that is the drama of the work.
Publisher
Cambridge University Press (CUP)
Subject
Political Science and International Relations,Sociology and Political Science
Cited by
2 articles.
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