Abstract
The “fall” of Lucrezia in Machiavelli's playLa Mandragolais a puzzlement. She is presented as an intelligent and virtuous wife who by play's end not only agrees to commit adultery but murder as well. Any attempt to interpret the play must address the significance of Lucrezia and her fall. It is argued here, however, that the real deception is that Lucrezia does not undergo a conversion—she is of questionable character from the start. Upon examination, her similarity with the Goddess Fortuna reveals a deeper tale being told within the play. Machiavelh uses her to mock the Church, and St. Augustine in particular, and to deliver a frightening message that the free will is no match for the goddess.
Publisher
Cambridge University Press (CUP)
Subject
Political Science and International Relations,Sociology and Political Science
Reference39 articles.
1. This point is discussed by Flaumenhaft, “The Comic Remedy,” p. 52.
2. Mazzeo , Renaissance, p. 92.
Cited by
10 articles.
订阅此论文施引文献
订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献