Abstract
Despite their long publishing history, anthologies have received little scholarly attention. However, they play an important role in collecting, and reflecting upon, voices and identities that have all-to-often been on the fringes of publishing. This Element explores the sociocultural functions of anthologies in relation to discussions around exclusion/inclusion in the publishing industry. Focusing on YA anthologies, using a case study of A Change Is Gonna Come anthology (2017), this Element argues that the form and function of anthologies allows them to respond to and represent changing ideas of socially-marginalised identities. In A Change Is Gonna Come, this medium also affords Black and Brown authors a platform and community for introspection and the development of both individual and collective identities. Beyond merely introducing writings by socially-marginalised groups, this Element contends that YA anthologies embody a form of literary activism, fostering community-building and offering a means to circumvent obstacles prevalent in publishing.
Publisher
Cambridge University Press