Abstract
In his very valuable study of generic patterns in ancient poetry Francis Cairns assigns Propertius 2.28, [Tib.] 3.10 (4.4), and (tentatively) Ovid Am. 2.13 to the genre Soteria, that is works of congratulation and thanksgiving on the recovery from illness (or rescue from danger) of a friend, and he sees the resemblances between the poems as due to the elegists’ attempts to produce ‘dramatized’ examples of the genre, with the situation developing from the girl's illness at the beginning of the poem to her recovery at the end (Francis Cairns, Generic Composition in Greek and Roman Poetry (Edinburgh, 1972), pp.153–7). Cairns's arguments and interpretation of the poems should, I feel, be scrutinized carefully, especially since his classification of the poems has been accepted recently without demur by at least one scholar (Jennifer Moore-Blunt ‘Catullus XXXI and Ancient Generic Composition’, Eranos 72 (1974), 118 and n.50).
Publisher
Cambridge University Press (CUP)
Subject
Literature and Literary Theory,Philosophy,History,Classics
Reference15 articles.
1. Sick-Visiting in Roman Elegy
2. Heinemann Max , Epistulae Amatoriae quomodo cohaereant cum Elegiis Alexandrinis (Diss. Berlin, 1919), p.70.
Cited by
13 articles.
订阅此论文施引文献
订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献
1. Index;The Grotesque in Roman Love Elegy;2020-09-17
2. References;The Grotesque in Roman Love Elegy;2020-09-17
3. Ovid’sRemediaand the Waning of the Elegiac Grotesque;The Grotesque in Roman Love Elegy;2020-09-17
4. Pasiphae and the Allurement of the Grotesque;The Grotesque in Roman Love Elegy;2020-09-17
5. The Rival: AVir Foedus;The Grotesque in Roman Love Elegy;2020-09-17