Abstract
SummarySymbolic perception of the church door in early English exegetical writings and in medieval liturgical practice is illustrated and discussed as the wider context of a proposal that the arched iron strip at the top of the twelfth-century church door at Stillingfleet, North Yorkshire, represents the rainbow of Noah's Flood, perceived as a reminder ofjudgement past and of judgement still to come, and as a symbol of the covenant between God and humanity. The possibility is considered that on other surviving early medieval church-doors too, the rainbow shape, even if primarily functional or dictated by the shape of the door-opening, and notwithstanding the absence of other figural imagery, may have been recognized as an emblem of the covenant, basis of all church-sanctioned contracts, aptly dislayed on the threshold—where various liturgical or other formal actions had their setting—of the sacred spaces of the domus dei.
Publisher
Cambridge University Press (CUP)
Subject
Archeology,History,Visual Arts and Performing Arts,Archeology
Cited by
1 articles.
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1. The world(s) of the cross;World Archaeology;1999-10