BATTLING THE LION: VISUAL COMMEMORATIONS OF CRUSADE IN TWELFTH- AND THIRTEENTH-CENTURY SEALS FROM THE BRITISH ISLES

Author:

Reynolds Gordon M

Abstract

This article examines a group of five surviving twelfth- and thirteenth-century wax seal impressions from the British Isles that depict a scene of an armed knight in combat with a lion. This seal motif has tenuously been linked with crusading in the past, and so this paper seeks to address the connections between the sigillants and crusade, as well as the significance of commemoration of crusade culture on medieval seals. It highlights numerous links between this specific design and crusading experiences, literature and allegory. This paper focuses on an aspect of the medieval memory of crusade and the means of displaying chivalric, crusading identities within literate culture (on charters and letters) and in personal adornment.

Publisher

Cambridge University Press (CUP)

Subject

Archeology,History,Visual Arts and Performing Arts,Archeology

Reference217 articles.

1. Lymberopoulou, A 2012. ‘To the Holy Land and back again: the art of the crusades’, in K W Woods (ed), Art & Visual Culture 1100–1600: medieval to Renaissance, 128–71, Tate Publishing, London

2. Simpson, G G 1965. ‘An Anglo-Scottish Baron of the Thirteenth Century: The Acts of Roger de Quincy Earl of Winchester and Constable of Scotland’, unpublished PhD thesis, University of Edinburgh

3. Bedos-Rezak, B M 2018. ‘Status: an impression’, in Cherry et al 2018, 45–53

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