Nomoli

Abstract

A contribution to the understanding of one of the many puzzling features of West African art history, this article deals with the stone sculptures found in an area centred in southern Sierra Leone. These ‘nomoli’, as they are usually called, were made and used in the area where they are found, rather than having been imported. The authors believe that these figurines were made by the groups of peoples called ‘Sapes’ by the early explorers of the region. This is partially confirmed by the fact that features of these people at the time of the first contacts seem to correlate with features found on nomoli.Originally intended as ancestor figures, these stone statuettes are used by some of the modern inhabitants of Sierra Leone as ‘swearing’ devices and to help increase agricultural yields. This latter use, at least, would go along with the authors' contention that the nomoli, after they ceased being regarded as ancestral figures—due to being lost, stolen or forgotten—were regarded as material representations of spirits known as krifi. The similarities between the supposed appearance of some of the krifi and the features of the nomoli would support this hypothesis. The ‘monstrous’ appearance of many of the nomoli might be due to their being carved as representations of krifi or of heads of secret societies.As to their dating, stylistic relationships between some of the nomoli and some of the ancestral figures in the Sudan, along with an apparent influence from that area dated about the seventh or eight century A.D., might mean that they were first manufactured at that time. Evidence exists that they were still being made in some places in the present century, but this might represent a revival of the art rather than a continuance, since the sale of these figures is quite profitable.