Abstract
Research on music and musical life in nineteenth-century Europe and North America has been increasing at a smart pace over the past few decades, revealing an admirable variety and welcome sense of fresh initiative. But many of these efforts – especially ones dealing with pieces that are rarely if ever performed today – have proceeded in relative isolation or have not been granted the attention that they deserve. And many important topics – including whole forgotten repertoires – remain to be explored.
Publisher
Cambridge University Press (CUP)