Abstract
This article examines the biography of a twelfth-century English holy woman, the Life of Christina of Markyate—particularly its account of a vision that she had in which she was crowned in the likeness of a bishop's miter—within the context of campaigns undertaken by English monasteries in the late eleventh and twelfth centuries to obtain the papal privilege of full exemption from the sacramental and juridical control of their diocesan bishop. Reading Christina's vision in view of the bids for independence made by St. Albans—the community responsible for commissioning and writing her biography—especially helps to shed light on why the Life seems to figure her in a distinctly episcopal cast. Significantly, the Life's account of this vision may have been shaped by a miniature cycle of the passion and miracles of St. Edmund, produced by Bury circa 1125, seemingly in an effort to provide further confirmation of the abbey's exempt status. In a miniature depicting Edmund's apotheosis, the saint divinely receives a miter-like crown, which is nearly identical in its ornamentation to the one that Christina would later receive. Ultimately under investigation in this article is whether St. Albans' campaign for exemption was one of the influences dictating the composition of the Life of Christina.
Publisher
Cambridge University Press (CUP)
Subject
Religious studies,History,Cultural Studies
Reference96 articles.
1. Anglo-Norman Hagiography as Institutional Historiography: Saints' Lives in Late Medieval Campsey Ash Priory;Gorman;The Journal of Medieval Religious Cultures,2011
Cited by
4 articles.
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