Beauty Labor as a Tool to Resist Antifatness

Author:

Frazier CherylORCID

Abstract

AbstractIn this article I defend an account of beauty labor as a form of resistance that can enable individuals and communities to combat body oppression. Focusing on the “Fuck Flattering!” movement, a social-media-driven movement in which fat people purposefully wear unflattering clothing to resist antifat fashion and oppressive body standards, I first set three criteria necessary for an act of beauty labor to count as one of resistance. I argue that (1) the agent in question must be situated as a less ideal candidate for attributions of beauty, (2) the agent must have some level of knowledge or awareness of the norms (defined in light of dominant groups) and their harms, and (3) that knowledge or awareness of the harms of said norms must inform the agent's act of beauty labor. Based on this account of beauty labor as resistance, I argue that beauty labor can combat larger systems of oppression and incite meaningful change insofar as it enables individuals to claim and reclaim space (both digital and physical) from which fat people have been historically excluded, while affording an opportunity for education and unpacking of oppression and bias, and expanding the fashion industry.

Publisher

Cambridge University Press (CUP)

Subject

Philosophy,Gender Studies

Reference36 articles.

1. Staring How We Look

2. Dalessandro, Alysse . n.d2. F!CK flattering: Why I wear what I want & so should you. The Body is Not an Apology. https://thebodyisnotanapology.com/magazine/fck-flatteringwhy-i-wear-what-i-want-so-should-you/.

3. Fat

4. Don't flatter yourself, cupcake. 2015. Flight of the Fat Girl (blog), December 28. https://flightofthefatgirl.wordpress.com/2015/12/28/dont-flatter-yourself-cupcake/.

Cited by 2 articles. 订阅此论文施引文献 订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献

1. Personal Beauty and Personal Agency;Philosophy Compass;2023-10-09

2. On the Well-being of Aesthetic Beings;The Oxford Handbook of Mental Health and Contemporary Western Aesthetics;2023-08-16

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