Abstract
This article explores the use of gold in the elite tombs of Han dynasty China, the popular use of which originated outside the Chinese cultural milieu, and its integration into the Han portfolio of materials representing people's expectations for the afterlife, such as immortality and well-being. In contrast to jade, which had a long history of use in China, gold was in itself a ‘new’ element of Chinese culture. This article outlines the introduction of gold objects from Europe and Central Asia via the Eurasian Steppe and borderland of China from around the eighth century bce. The unprecedented use of gold in the Han-specific jade suits, and the process by which foreign types of zoomorphic motifs were adopted and connected with local motifs, are explored. In light of the political change from multiple competing states before the first unification in Chinese history in the third century bce, and the development in ideology and concept of an ideal and eternal afterlife, this article explains the reasons and meanings of the new use of gold in Han dynasty China and the composite system of motifs, materials and objects.
Publisher
Cambridge University Press (CUP)
Subject
Archaeology,Cultural Studies,Archaeology
Reference141 articles.
1. Li, X.X. , 2017. Dongzhou huaxiang yishu yanjiu [A study of pictorial arts in the Eastern Zhou dynasty]. PhD thesis, Chinese University of Hong Kong.
2. Zuowei zhengzhi xinwu de hanjin ruishouwen daigou;Guo;Palace Museum Journal,2020
3. Foreign jewellery in ancient China;Xiong;Bulletin of the Asia Institute n.s,1991
Cited by
1 articles.
订阅此论文施引文献
订阅此论文施引文献,注册后可以免费订阅5篇论文的施引文献,订阅后可以查看论文全部施引文献