Abstract
This article reviews the memoirs of Phạm Duy, a famous Vietnamese composer, who in the late 1930s and 1940s composed some of the first modern Vietnamese songs. His memoirs describe his time with the anti-French Resistance, his break with it in 1950, and his years in Saigon and the United States. My review focuses on curious aspects of these memoirs: Phạm Duy's careful listing of his many love affairs; his insistence that he needed lovers to compose songs; and his failure to acknowledge that he profited from a culture that glorifies the self-sacrifice of women. After considering whether Phạm Duy's behaviour as depicted in his memoirs conforms to cultural norms for Vietnamese male artists, I argue that it is best seen as, in Judith Butler's expression, a ‘hyperbolic exhibition’ of the natural. I conclude by speculating about how Phạm Duy and his memoirs may be viewed in future years.
Publisher
Cambridge University Press (CUP)
Subject
Sociology and Political Science,History,Geography, Planning and Development
Reference39 articles.
1. The traditional family in Vietnam;Jamieson;Vietnam Forum,1986
2. Nhạc Kháng chiến của Phạm Duy (1945–1951);Vĩ;Văn Học,1987
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2 articles.
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